Join us on THURSDAY June 24, 2010 at MEGAS on the Danforth to Celebrate the year ! – Beatriz Pizano will be awarded the John Hirsch Prize for Directors – and ‘La Comunión’ receives 5 Dora Award nominations
Posted on 25 May 2010 | No responses
We are pumped up about our first fundraising dinner! Juno-nominated powerhouse Treasa Levasseur takes the stage, you enjoy a full meal with wine, and together we will celebrate the accomplishments of one of Toronto’s most engaging Latin-Canadian theatre directors, our Artistic Director Beatriz Pizano, as she is awarded the prestigious John Hirsch Prize by the Canada Council for the Arts!
When: June 24th: 6pm cash bar, 7pm dinner and entertainment
Where: MEGAS RESTAURANT, 402 Danforth Ave, near Chester Station in Toronto
The Menu:
Appetizers – taramosalata, homus, yayiziki, babaganouch dips with pita bread
Main dish – 1 souvlaki, l dolmade, 1 spanakopita, rice, potatoes, Greek salad (tomatoes,
cucumber, onion, olives, feta cheese)
1 glass of wine/ soft drinks - sweets - coffee
Dora Award Nominations
Every year, as the regular theatre season closes and summer begins, Toronto honours the acheivements of its performing artists. This year, Aluna Theatre’s production of La Comunión, our story of a girl soldier in search of a better life, is up for 5 awards in the following categories:
Outstanding New Play – Beatriz Pizano
Outstanding Set Design – Trevor Schwellnus
Outstanding Lighting Design – Trevor Schwellnus
Outstanding Sound Design – Thomas Ryder Payne
Outstanding Costume Design – Andjelia Djuric
Find out more at the end of the month!
Aluna supports two important new works this August
Posted on 25 May 2010 | No responses
IXOK’
IXOK’ is a Maya-Quiché word that means WOMAN. In this solo dance/theatre piece, Mayahuel Tecozautla depicts the story of an indigenous woman who flees to the jungle seeking safety for herself and her child. It is based on the stage play by Edgar Flores and Carmen Samayoa, two Guatemalan theatre artists living in exile in France, and is based on the testimonies of Guatemalan refugee women who survived the war. The play tackles the military conflict in Guatemala from 1960 to 1996, and specifically talks about the Mayan genocide that occurred between 1978 and 1984 with more than 250,000 victims, of whom over 45,000 are still missing today.
IXOX’ es una palabra Maya-Quiché que significa MUJER. Este monólogo de danza y teatro encarnado por Mayahuel Tecozautla habla de la historia de una mujer indígena que huye a la selva para salvar su vida y la de su hijo. Está basada en la obra escrita por Edgar Flores y Carmen Samayoa, dos artistas Guatemaltecos exiliados en Francia. IXOX´ está inspirada en los testimonios de mujeres Guatemaltecas refugiadas en México, sobrevivientes de la guerra. La obra habla sobre el conflicto armado en Guatemala desde 1960 hasta 1996, particularmente del genocidio Maya ocurrido entre 1978 y 1984 donde hubo más de 250, 000 víctimas de las cuales más de 45,000 aún están desaparecidas.
In the Theatre Passe Muraille Backspace:
Homegrown
Homegrown is a challenging and controversial theatrical experience that speaks of the often-silenced case of the so-called terrorist cell in Toronto referred to as the TORONTO 18, arrested in 2006. After several years of surveillance, more than eighteen months of solitary confinement, four years of publication bans, slow progress to long-postponed trials, and tens of millions of dollars, a consideration of what has been acheived in our name.
in the Theatre Passe Muraille Mainspace:
Homage / Homenage : Julia de Maria Auxiliadora Echeverri de Pizano
Posted on 9 March 2010 | 2 responses

The subject of our 2008 production, Madre, Julia died at 81 years of age after contending with Alzheimer’s for many years. Her family was with her in her final days.
Her daughter, writer / director Beatriz Pizano, wishes to extend thanks to her Doctor, Jorge A. Gómez Calle, for his care, guidance, and attention to her comfort and dignity. Also thanks to her family in Medellin, especially Marcela Calle, who has lovingly spent endless hours with Julia over the past six years.
La Comunión closed, Theatre Centre Residency begins
Posted on 24 February 2010 | No responses
We have wrapped up La Comunión, but are hoping to bring it out again sometime in the future – thanks to everyone who participated in any way – it truly took the work of two communities to bring this piece to the stage. We have had more people see this show than any of our previous works – hopefully a sign that the audiences are becoming aware of the powerful perspective of local artists from across the Americas.
Aluna is now going to spend time preparing for our next year of work – we are beginning a two-year creation process on a new work as part of our Residency at the Theatre Centre. Many discussions about process and creation to follow.
For now: one more look at the view from a young woman caught in the Land of Forgetting:
La Comunión is OPEN – see this important work January 2010
Posted on 6 January 2010 | No responses
written and directed by Beatriz Pizano.
Starring: Micheline Calvert, Zarrin Darnell-Martin, Carlos Gonzalez-Vio, Rosa Laborde, Sam Malkin, Natalia Naranjo Moncada, Marilo Nunez, Michelle Polak, and introducing Carlos Arellano and Luis Delgado.
Scenography: Trevor Schwellnus
Sound Design: Thomas Ryder Payne
Costume Design: Andjelija Djuric
Stage Management: Sandy Plunkett
January 12 – 31, 2010
at Buddies in Bad Times Theatre, 12 Alexander St.
La Comunión opens in three weeks
Posted on 11 December 2009 | No responses
Running at Buddies in Bad Times Theatre, 12 Alexander St (near College Subway), from January 12th to January 31st, 2010.
We have just taking our Christmas break from rehearsals – taking stock of the work so far – the movement, design, the mood and quality of performance – we spend more time laughing during these rehearsals than I am used to. Today we introduced two new members to the cast – Luis and Carlos, young men that we first met at the Menonite Centre as part of their orientation programs for refugees. They stepped into the room and took a brave leap into a series of movement excercises that challenged even our more experienced performers (thank you for the bruises, Anita!). Gracias compadres!






