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Quiero-Estar-Contigo

Mala Collective

Saturday, October 16, 2021

Factory Theatre

Durational, 24 hours

Quiero-Estar-Contigo is a living installation. A painting in motion inspired by Frida Kahlo’s self portrait of The Two Fridas. But, unlike the painting where one is refracted, the two of us are unquestionably different. Through a series of imagistic explorations we attempt to deconstruct tradition to interrogate the complexities of intercultural legacies and inheritance. As we are able to materialize and inhabit these worlds within us, we imagine what it means for us to mix our blood, tangle our roots, what it means to collide and pull apart our identities individually and in relation to each other. How we perform self, how we perform queerness, Mexican-ness, Chinese-ness, woman-ness, halfness. What it means for us to be and in being we never stop becoming.

October 16, 2021 at 1:00 PM

NO REGISTRATION REQUIRED

This installation will be viewable from outdoors. Gathering size will be monitored by festival staff.

Creator / Performer

Liz Der

Creator / Performer

Sof Rodriguez

About the artist

Sof Rodriguez was born and raised in the City of Mountains: Monterrey, Mexico. She is a Dora-nominated actor, creator and collaborator based in Toronto. Her recent stage work includes: ‘Mi casa de incienso’(Soulpepper), mientras tanto//缺口, The Solitudes (Aluna/ Nightwood Theatre), Beautiful Man (Factory Theatre), Shadow Girls (Pencil Kit), Communist Manifesto For Children(Rhubarb), Anato/mía (Rhubarb). Short films: Love You to Death and Diferente (Inside Out Festival) The Morning After (Inside Out/ LA Outfest). Alongside Liz Der, they have been working under the name of Mala Theatre Collective since 2019 and have created and performed ‘mientras tanto//缺口’ together for the 2020 Rhubarb Festival. Most recently, Mala produced ‘Mi casa de incienso’ for Soulpepper’s first ever Queer Youth Cabaret.

Liz Der is a mixed-race performer based in Toronto. She is particularly interested in how theatre can be used to unpack personal and cultural complexities of identity and belonging. Past performance credits include: ‘Mi casa de incienso’mientras tanto//缺口, All’s Well that Ends Well (Helena), ShadowGirls (Amelia), Hamlet(s) (Horatio), Crave (C), The Ballad of Sadie Wong (Sadie Wong), and 4.48 Psychosis.

Photo: Raf Antonio